Making a Box

Exactly what the title says, I am going to take you through the assembly of a box, with a piece of stitchery as the lid. I am either cheap or thrifty, your choice, but I am also a fast stitcher, and the cost of framing lots of pieces of stitchery becomes insane, especially if you want them to be right. Hence the wallhangery and quilting options I usually employ. This is a third option, for those things that are not really suited to wall hangings and cannot handle the treatment they would receive as a quilt. Like, for instance, the piece of goldwork I just finished.

So. I am doing a simple round box, using plastic canvas as the supporting sides and top and bottom. As you read down, I have included pictures of all the supplies, along with the fabric I am using for the sides. I found it at my local Jo-Ann's Fabrics and Crafts store, and it is even yummier in person than the pictures show.

I was actually checking to see if they had any more of the silk dupione that either matched the blue I used or complemented it--gold would have been acceptable also. They had neither, so I went wandering through all the satins etc... Got to the brocades, saw lots of pretty fabric, then saw a flash of blue and gold. Dug it out of its niche, held the embroidery up to it, and figured I had a winner. There is a rose border that I am going to use as the box side, and an all over diaper (that is a diagonal pattern--I'll have to check why we now use that as a word for a baby's undergarment, yes?) pattern of large and small diamonds. Here is a picture of the front and back of the fabric.

And here is a closeup of the edging...

With me so far?  I also got four plastic canvas rounds, The original size is 6 inches, and trimmed the outer ring off two of them to use as the inside lid and inner bottom. I also have a piece of the very large stiff canvas, and cut a piece that is 2 x 19 inches for the box side, and one that is 1 x 19 for the lid. Hey, all you who didn't think you would ever use geometry after high school or college? Surprise! It is an easy formula, basically, Pi x the diameter of the circle. This gives the circumference of the circle, and I will _Never_Never_Ever_ forget the formula, although I did, in eighth grade, get a bit tired of the endless 20 problem worksheets we did while people were learning this. Um. I also remember Pi R Squared (for the area of a circle), and I think if you have either the radius or the diameter, you can figure out the other, being that the radius is half the diameter, so for our purposes, we need to multiply 3.14 and 6, which is 18.84 inches. With seven count (or seven stitches to the inch canvas, I will be adding an extra couple of rows for an overlap. I don't have to worry about the inner liner size because it is mostly there to look nice, and to cover the seams from the box and lid sides, when I gather them up and sew the sides onto the lid and base.

This is the rings with the edges cut off.

 I am using felt to pad the canvas, so that it isn't prickly or hard, and it looks better. Just cut to fit. I also stitch it to the sides top and bottom so that it doesn't shift around.

This is basic plastic canvas. It now comes in three sizes that I know of, seven count, ten count and fourteen count. The seven count is the stiffest, and it comes in two weights, one of which is stiffer than the other.

 Okay, I have gathered the edges of the stitched piece and sandwiched two felt rounds in between the plastic canvas disc and the stitched piece. For reference, this is a disc with a 4 and 1/2 inch diameter.

 The back of the lid, showing the basting/gathering stitches and some of the lacing. I have some more lacing to do, but I ran out of thread. This part is the trickiest of the box, as you can "pringle" the disc if you don't pull the lacing evenly. On the other hand, I can't lace a square or rectangle properly to save my life but I can do discs. Go figure. It is pretty easy to get the right tension, if it starts to look like a potato chip, lighten the tension ;-).

Sewing thread, ball of yarn, large piece of plastic canvas, and four beads I am going to attach to the bottom of the box as feet. I use the yarn to attach the ends of the plastic canvas together, and sometimes I overcast the edges as well, for the look of the finished box.

THE Magpie

Goldwork redux, and flowers and vases. Also some plants.

Here is where I've gotten on my Benton and Johnson Lily kit. Actually, all I have left is some detail on the flowers and filling in the leaves with bright check "beads". Bright check is wire that has been bent into a square spring shape, and it is flat on the outside, so it really reflects light marvelously well.

Here is a picture from before I finished sewing down the leather flowers, with the check wire on top of the piece. That wiggly, squirmy thing is absolutely wonderful stuff. My daughter says it is very fun to hold it in the air and gently jiggle it, as it transmits a buzzing feeling to your fingers, so of course I had to try that. Plus, it absolutely multiplies light, sending sparkles everywhere. And sadly, what you do with it is to cut it into short lengths and sew it down like beads. Well, that actually gets us to why I stopped where I did. I thought I had my wire cutters with me, but I didn't, so got stalled yesterday, as I will not use my good embroidery scissors to cut wire. I was down at my sister's house, and she gave me a beech tree for my yard, and has promised a sassafras tree once she figures out where her colony of them is. I'm starting her a couple of trees from my yard, including the native persimmon tree, of which I have a female in the yard, so usually have a zillion seedlings to choose from.

I have moved my tropical trees outside now, as we should no longer be in danger of getting frost. Here are their pictures...

This is Granny Weatherwax. She is about eighteen inches tall, and her leaves are about six inches long. She had a little trouble with Marie the cat again, after I took her off the bookshelf she was on. Marie loves avocado leaves. Weird.

 This is the pink plumeria. The flower buds survived the winter, and I have moved her to the porch and given her some water.

Lastly, here is the lemon tree. Nero, in complete contrast to the normal run of cats, who allegedly dislike citrus intensely, liked the chew on her leaves. In front of her, in the two boxes, are dormant blueberry bushes. Not quite sure exactly where they are going to go, probably in what I call the "Way Back Yard, which is up a very steep hill with a staircase from the rest of the back yard. I also have a pair of raspberry bushes that I have not yet placed. One of them has flowers, so the raspberry loving daughter will be very happy.

 These are the vases that I have done for the quilt. They fabric is a square around 10 inches to a side, some a bit taller, some a bit narrower, but all will be trimmed to the same dimensions when I am ready to sew the quilt together. Three of them are from a chart titled Vase Row, only I have been stitching them separately so that I could use them with the flowers.

This vase is one of three I am doing that came from Mary Hickmott's New Stitches magazine. Being roughly the same dimensions as the other vases, I decided to incorporate them to make the numbers a bit more even. Stylistically, they are both different and similar, and I think they look nice together.

 

Another vase. This is the first vase I stitched. Not sure why I remember that, but I do.

Blue and white vase. The one I am working on now has more blue and white, and also has a spray of flowers in the vase. The other two from Vase Row are a turquoise vase with a coral pink flower and a black vase with a white flower.

 This is one of the fabrics I am using as sashing. this print is going around the vases. The oranges and golds of the flowers look very nice with the vases, and echo the golden brown in some of the vases.

 Tree Peony. And yes, it does kind of look like there is a bit missing from one side of the flower, but that is the way the designer did it. Um. Yes, several people have mentioned that to me, why do you ask?

Lotus. This is one I finished recently, and when I was doing it I was very unsure about the greens, mostly whether they would look nice together. One was more blue green the other tended toward olive. They worked well together though.

This one is Tiger Lily. My brother's in-laws went to Taiwan, and sent me a birthday card that they got there. The picture on the card is very similar to this one, which is why I started collecting the kits in the first place. Also, they are drop dead gorgeous, so there are two reasons.

 This is Chrysanthemum. The photo with the kit is much lighter yellow than it ended up being, which I was happy about. I love the spider mums, which is what these look like, because of the long curly petals they have.

 This one it titled Clematis, and I think I have done all the yellow flowers now. This is the one I was working when I took a very long break from cross stitching.

 Iris, and the only one of these which I varied from the kit contents. I really hated the change from the darkest purple to the next color, so I added an intermediate color. The top iris has the darkest purple with my intermediate and the next purple, for the two bottom flowers the darkest color is the intermediate.

This is Wisteria. Everyone likes this one the best, and it is the second flower I did. It really turned out well, but the metallic gold backstitching on it was tricky. I did a lot of what I learned is called Holbein or double running stitch, but which I call Bilbo stitch, and fans of The Hobbit will, I hope, get a giggle when I explain that it is because you go there and back again. This is all the flowers I have done, I still have Morning glory (blue violet), Quince, (orange), Poppy (red), Magnolia (pink), and Camellia (dark pink-red). I also have five vases left, and yes, I did that on purpose, so I can alternate flowers and vases. I am working on a blue and white vase right now, but have not yet taken a picture.

This is the fabric I am using for the sashing for the flowers. I think it looks like Gingko leaves, or maybe cilantro. One of those. It also looks absolutely fabulous with the flowers, so I have high hopes that the quilt will turn out well. Maybe I'll take a page from my sister's book, and get Mum to sew the top together in stages...

THE Magpie

Goldwork, and other stitching.

Finished the waterlily, and started and finished the tiger lily in my oriental flowers, so I am now over half done with the cross stitched patches for the quilt. Yay!

Also, after studying the directions, reading, re-reading, and examining all the supplies, and finding my silk dupione stash, I have at long last started on the Golden Lily pattern from Benton and Johnson. To start, I drew the picture on the back of the muslin with a pencil, backwards. Then I basted it in with the same floss that I was going to use to couch the metal threads down with. Here is a picture of the back with the basting partly in...

Here is the front. Because I did the stitches on the front very small, you can't see them very well, which bodes well on me being able to cover them up.

This is one of the flower buds with the japan gold around it, and extending down as the stem.

The closed teardrop shapes are going to be finished with gold kid leather. There are also curled leaf shapes will be filled with bright check, after it is cut into "beads". All the lines will be couched japan gold, and I like the way they have you plunge one end of the pair of gold threads, then separate them to go around the open shape, and finally couch them together for the stems. I don't know if that is standard operating procedure, as I have not taken any goldwork classes, and this is the first thing I've ever done in goldwork, but I like how it looks.

The kit for this actually came with an ice blue silk piece for the ground, but the picture on the kit was more of a turquoise, so I subbed a piece out of my stash. The couching thread I am using is a cotton overdye named Whiskey, from Weeks Dye Works, color 2219. Other supplies are japan gold, check thread, bright check, gold kid leather and something called passing, which is a wire cored gold metal thread that looks kind of like japan gold. Ah. Just re-read the directions, because it occurred to me that I did not remember where the passing thread was supposed to be used. There is a bit that forms a bow over the stems on the bottom, and the passing thread is used to make them, and that is where the wire is handy, as you just make loops with the thread and then bend them into shape on the front.

I realized that doing this stuff intimidates me, at least until I start, although sometimes it runs all the way through the project. Even so, I still do it, and usually the things turn out very nicely. So to anyone who is reading/finds/whatever, if you want to do something that you fear is above your skill level, go for it. You never know, and it will most likely turn out very well indeed. Go for it. And have fun.

THE Magpie

Goldwork and Stumpwork, this time with photos!

Of the stumpwork. I have yet to do any goldwork, although I have played with some of the materials. Anyway, the Jane Nicholas piece is still moving forward. I have finished the five petals for the hellebore blossom...

 ...and now I just need to cut them out and apply them. Deep breath here, but I survived cutting out the dragonfly wings, so everything should be fine, so long as I am careful and don't have anyone watching. I finally taught my daughter that the one way to cause hilarious pratfalls or failures to perform as planned was to shout, "Watch this!" as you did some amusing athletic/magic trick. Maybe I should stitch a sixth petal as a spare, in case of cutting errors. Hmmm. That sounds like a good plan, and a way to delay the scissor thing.

Here, I have finished outlining one of the two leaves, and the other is mostly done. After I finish the outlines, I will be filling the interiors of the leaves. There is a very faint oval drawn on the leaf fabric, that will be the final raspberry. I will be doing it with very light red, a peachy pink, and a very pale green floss in french knots, and of course, some beads.

Still waiting on a last email from Benton and Johnson, regarding sequins and spangles. The spangles are probably more authentic, but the sequins are heaps less expensive. So now I just have to find out it the sequins are flat or cupped. If they are flat, I am going that route, at least for now. If I decide in future to do a goldwork/stumpwork/Elizabethan embroidery priest's stole and want to use the spangles I'll definitely rethink the miserly route.

Also, I've been thinking that I have got to try doing a plumeria blossom in stumpwork. I think it would be a show stopper, and the flowers come in such a variety of coloring that it would be fun to embroider as well. And, speaking of plumeria, one of my stubs has developed what I think may be flower buds, about a year before I expected any. Here is a picture of it.

THE Magpie